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The Sun: Source of Light in Art
Claude Monet’s 1872 painting Impression, Sunrise, which gave Impressionism its name, shows the red disk of the rising sun as the focus of the composition. The painting was the point of departure for the exhibition The Sun: Source of Light in Art, which explored the iconography of the sun from antiquity to the present. The artwork, which belongs to the collection of the Musée Marmottan and is only rarely on view outside of Paris, was on display in Potsdam for the first eight weeks of the exhibition.

Musée Marmottan Monet, Paris / Studio Baraja SLB
Claude Monet: Impression, Sunrise, 1872, Musée Marmottan Monet, Paris, Gift of Eugène and Victorine Donop de Monchy, 1940
As a sign or personification of divine power, a protagonist in mythological narratives, an atmospheric element in landscape imagery, and an intensification of color in modern painting, the sun plays a key role in European art.
"Well, take the sun, if you will: I should think you would accept it as a sufficient indication of the sun to say that it is the brightest of the bodies that move in the heaven round the earth."
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Courtesy National Gallery of Art, Washington
Peter Paul Rubens: The Fall of Phaëthon, 1604–05, probably reworked ca. 1606–08, National Gallery of Art, Washington, Patrons' Permanent Fund
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Courtesy National Gallery of Art, Washington
William Turner: Mortlake Terrace, 1827, National Gallery of Art, Washington, Andrew W. Mellon Collection
The exhibition brought together around 130 works — among them sculptures, paintings, manuscripts, prints, and books — from antiquity to the present, including works by Sonia Delaunay, Otto Dix, Albrecht Dürer, Olafur Eliasson, Adam Elsheimer, Max Ernst, Caspar David Friedrich, Joan Miró, Claude Monet, Edvard Munch, Odilon Redon, Peter Paul Rubens, Katharina Sieverding, and J.M.W. Turner.
"More beautiful than the notable moon and its ennobled light,
More beautiful than the stars, night’s illustrious decorations,
Much more beautiful than a comet’s fiery appearance,
And destined to things far more beautiful than any other celestial body,
Since your life and mine depend on it every day: is the sun."
 alt="Félix Vallotton: Sunset, Orange Sky , 1910, Kunst Museum Winterthur, purchased with a contribution by Charles and Lisa Jäggli-Hahnloser, 1976
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SIK-ISEA, Zürich (Jean-Pierre Kuhn)
Félix Vallotton: Sunset, Orange Sky, 1910, Kunst Museum Winterthur, purchased with a contribution by Charles and Lisa Jäggli-Hahnloser, 1976
The artworks were loaned from over sixty museums and private collections, among them the Staatliche Museen zu Berlin, the Rijksmuseum Amsterdam, the Staatliche Kunstsammlungen Dresden, the Statens Museum for Kunst, Copenhagen, the Dulwich Picture Gallery, London, the Museo Nacional Thyssen-Bornemisza, Madrid, the Bayerische Staatsgemäldesammlungen, Munich, the Munchmuseet, Oslo, the Musée du Louvre, Paris, the National Gallery of Art, Washington D.C., and the Albertina, Vienna.
An exhibition of the Museum Barberini, Potsdam, and the Musée Marmottan Monet, Paris. In Paris, the exhibition titled Face au soleil. Un astre dans les arts was on view from September 21, 2022 to January 29, 2023.
View of the exhibition
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